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So with the White Stripes still as popular as ever, albeit without a hugely successful single since Seven Nation Army, the tour to support their latest album Get Behind Me Satan was always going to be a big event.
The first thing that struck me was the range in variety of fans, from kids with their parents through to middle-aged men doing crosswords in the foyer of the Apollo. Although it does highlight how wide an appeal can go when you put rock back-to-basics, with those kids wanting to 'play guitar like Jack' to those cross-word fans who yearn for more of the rock of old.
The set was classic Stripes, red, white and black, with even the roadies dressed to the nines in black suits and top hats. So with no introduction Jack and Meg stroll out onto the stage and lash straight into Blue Orchid, of which the first half was some what inaudible as we all adjusted to the volume. With microphones strategically placed around the stage, Jack could stroll around stage and continue the lyrics from wherever he pleased, but often ended up next to Meg, willing on the drums to grow louder.
Jack managed a cockney styled "Hello, hello, hello" before getting back to business and perfectly linking tracks, as well as effortlessly switching between guitar and piano, something the latest album requires due to its stronger piano influence.
They carried on with most of the new album, as well as dropping in some classics, not least Hotel Yorba and Seven Nation Army coupled with some awesome strobe lighting. Meg pulled in the biggest applause of the set when she stepped up to the microphone for In The Cold, Cold Night, before returning to her safehold behind the red and white drum set.
A nice touch at the end was the distribution of blank CD-Rs with artwork relevant to the night, with the instructions to go and download and burn Denial Twist, recorded that night, so we'd have our own live version of their next single. A very cool touch, they can come play again.
8/10
We start off the album with a mix of old school style hip hop (Tom Tom Club's "Wordy Rappinghood") with cool, funky disco in the form of Didier En Tom and Sylvie Marks. From there we delve into the depths of synth and electro pop. Bolz Bolz's "Take a Walk" and Space's "Magic Fly" is very mellow relaxing – their style reminds me of artists such as Air or Jean Michel Jare.
Our first classic track comes in the form of Depeche Mode's "I Just Can’t Get Enough" – an excellent tune that sparkles with glitter and glam. From here the mood darkens and slows as illustrated by Felix Da Housecat's "Cyber Whore" and Ferenc's "Yes Sir I Can Hardcore". There's a short interlude at track 13 before we resume with the crazy mix and mash-ups. Partick Hernandez's "Born to Be Alive" is a cheesy, funky, rock tune that sounds like it should be on Euro-Trash – it's so bad that it's good! I believe that this is a classic anthem in the making.
Things become more serious as we mix into New Order's "The Beach/Blue Monday" and Basement Jaxx's "Romeo" - these songs need no description, their quality speaks for themselves. Moving on swiftly, we are introduced to Scratch Massive's "Ice Breaker", in my opinion this is dark house at its best. The sound is reminiscent of Stakka & Skynet's dark, moody drum and bass beats. The mood slowly evolves in the next few tracks as we shift from an undercurrent of tension towards deep breakbeats in the form of Visage and Trance Mog – there's plenty of base and funky lines to keep your head bobbing and feet tapping here.
By track 21 there's a change of style and tempo as The Stooge's classic track "Lose" is mixed in. Somehow I feel that the introduction of such a track is out of place and feels disjointed. There's nothing to continue the rock momentum as we move onto the next track. Here, we revert back to the electronica/bastard style pop with Redagain P vs Keen K's "Body Noise". This song sounds very similar to La Tour's – "People are still having sex" – a pretty cool combination of beats and rhythms. From here, we mix things around with the introduction of L.F.O's hypnotic sounding "Butterslut" (it sounds like a mixture of robots communicating with each other / bullets being fired – creating a rhythmic wall of sound that you will either love or hate). There's a good mix of artists here such as Siouxsie and the Banshees, the Propellerheads and Basement Jaxx. For me though, the outstanding track in this album has to be Lego's excellent "El Ritmo De Verdad" – this is a classic Latin American tune with sexy vocals and laidback beats. The track was too short for me – listen to it and you'll agree that it should have been longer.
After the soothing, mellow sounds comes another tempo change. This is an assault to your senses are we chop and change again. Personally, I think this is what 2 Many DJs do the best. They have this ability to mix and mash up various styles and throw back at you – it can be disorientating, but at the same time a pleasure to listen to as we're taken on a musical journey into different genres and styles. The next 15 minutes illustrate my point perfectly. We initially kick things off with Fat Boy Slim’s "Star 69" and Kern Kraft 400's "Zombie Nation" – very dance orientated – but just as you get use to this, we're grooving to the funky sounds of Prince and DJ Buck. Then out of the blue The Specials' "Gangstar" turns up and injects a bit of reggae into the whole proceeding. Crazy I know, but things don’t end there! We’ve then got Cylob (funky breaks), MC Hammer and the Rolling Stones – all in a space of 3 minutes!
From this "ordered chaos" the pace slows, and the tracks become longer as we approach the finish line. However, before the album ends, we're introduced to two more musical gems. Firstly, Nitzer Ebb's "Join the Chant" is an excellent euro-house tune that is both catchy and cool. For me this track epitomises what 2 Many DJs do best – identify and introduce underground/alternative artists that are both creative and refreshing to listen to. Then there’s the final song - Saint Tropez's "Belle De Jour" – a sensational closing track – dramatic string quartet playing in the background – spoilt only by the introduction of a French guy whisper sweet nothings into you ear.
Overall this is another strong album from the brothers. It’s the sort of album that you'll either love or hate. Some may complain that the tracks are too short and it all seems like randomly skipping tracks. Others may love the combination of contrasting styles and the skilled mixing of various genres. For me i'm playing it safe and sitting on the fence – I do like this album – but not as much as their earlier work. My recommendation to new listeners is to get the older albums (for example, "As Heard On Radio Soulwax" Part 3/4/5 or the original Radio Soulwax shows). For the older fans this is a must have addition to your collection.
Get this album at:
Tracklisting:
Conjuring up some of the same beats that made Odelay a critical and fan favourite, Guero will have you bobbing your head and taping your toes — to lyrics about graves, the devil and maybe even a serial killer. And on this, his eighth album, Beck reunites with the Dust Brothers to bring back some of that kick-butt sound of Odelay.
Yes, the lyrics are just as sullen and dark as any on Mutations or Sea Change, but it's the beats that set this album apart. But while Guero is drawing comparisons to Odelay it is not a remake of that 10-year-old album. The layers are deeper, the rhythms more complex and the message more mature. Guero is the vision of a grown man, not a 20-something slacker, who has come to terms with the fact that day-to-day life won't ever completely live up to the promise.
"Qué Onda Guero" brings the sounds of the East LA neighbourhood where Beck grew up. The lyrics dance along to the Spanglish of barrio boys calling out to the guero (white boy) walking down the street. The funk and beats may be back but it still low to the ground stuff as exhibited by "Missing" with its strings and percussive musings. Here he combines jazzy Latino guitar beats with the words of a lost man lamenting a relationship gone wrong, giving the tune a hypnotic bossa nova sound that is a pleasure to listen to. "Hell Yes" revisits the two tables and a microphone but dances around the outside of the lines with a hillbilly harmonica, while "Scarecrow" feels like mid-era Cure stuff, kind of haunting and gothic at time, but still with enough bump in its ass to make you forgo the darkness. The Latin groove, and sense of foreboding, continues on "Earthquake Weather" ("Something's coming/sky is purple") and the funk-infused "Black Tambourine."
This is a must have album for this year - intelligent, yet laidback and soulful. Guero is the sort of album you can put on in the background while having a few mates around for a BBQ. Yes, the lyrics are dark but the mood of the album is far from foreboding, an excellent party album that is perfect for the summer. Coming on the heels of 2002's "Seachange," a somber acoustic album of mellow, even depressing songs, some may wonder whether "Guero" is meant to rekindle past glories amid slipping sales and unfavourable criticism.
Maybe, but what separates "Guero" from Beck's past albums is his maturity now: what he sings about and how he does it. He’s having fun with his morbid thoughts, and dancing his way through the graveyard. A highly recommended album.
Tracklisting:
1. E-Pro
2. Que' Onda Guero
3. Girl
4. Missing
5. Black Tambourine
6. Earthquake Weather
7. Hell Yes
8. Broken Drum
9. Scarecrow
10. Go It Alone
11. Farewell Ride
12. Rental Car
13. Emergency Exit
14. Send A Message To Her
15. Chain Reaction
Diplo has previously been known for his production skills, but broke into the forefront with a megamix for RJD2. Florida is largely instrumental, but guest vocalists grace a minority of tracks to break up the music. Of course, in true Ninja Tune/Big Dada style, Diplo manages to squeeze in some slightly off-the-wall soundbites, which is becoming somewhat of a trademark of NT and it's subsidiaries.
The LP begins slowly with a laid back introduction, however soon picks up the funk with some violins by Big Lost. The string theme continues through Sarah, whilst adding some deft piano work and some trumpets for good measure. Martina Topley-Bird commences the vocals in Money Power Respect, with her soft haunting voice perfectly placed over some subtle bass, in what is one of the highlights of the LP. By Diplo Rhythm the pace begins to pick up, with some guest MCing by Sandra Melody, Vibez Cartel & Pantera Os Danadinhos, which provides a stark contrast to the opening tracks. Towards the end of the LP the tracks tend to merge into one, with nothing particularly outstanding, just some good eclectic sounds, fused with a high level of skill to re-create the mellow sounds that opened the album.
Diplo manages to fit alot of conflicting sounds together in Florida, but does it in a way that works. This LP won't be to everyone's tastes, but certain seems to align itself with the Big Dada sound.
Although essentially a hip hop label with the likes of Roots Manuva and Ty, Big Dada is managing to carve a whole new genre of its own with artists such as Diplo, a more chilled and mellow hip hop, whilst incorporating a whole host of other influences to keep things on the right side of interesting.
More information can be found at BigDada.com.
Although the Sex Pistols are excellent, I'm hoping that Grandmaster Flash or U2 get in. Both have been very influential to me.
Got to be the sex pistols. Love them or hate them, their influence was huge!
Possibly a stupid question, and perhaps a rather pointless one, but who had the most influence, the Ramones or the clash? Discuss.
Yeah - this is an excellent guitar album - plenty of immense riffs and solos. If you liked this, also checkout Racer X's Second Heat and Live Extreme Vol 1 & 2.
There's also the shred dou of Jason Becker and Marty Friedman (aka Cacophony). Their mix of exotic eastern scales, metal riffs and mind blowing solos will amaze you. Check out their two albums Speed Metal Symphony (1987) and Go Off! (1989).
Recommended Racer X songs - Street Lethal, Y.R.O, Scarified, Hammer Away and Technical Difficulties.
Recommended Cacophony songs - Black Cat, Images, The Ninja and Concerto.
Links: www.racerxband.com, www.jasonbecker.com.
Pioneering DJ Grand Master Flash and the Furious Five, are among this year's nominees for the Rock and Roll Hall of Fame - the first rap/hip-hop artists to claim that distinction. Bands are eligible for the honour when their debut album is at least 25 years old (see below for more details). Flash's first album Super Rappin' was released in 1979.
The Sex Pistols, U2, Patti Smith, the O'Jays, Randy Newman, Gram Parsons and The Stooges have all been nominated for induction in the 2005 Rock and Roll Hall of Fame.
The inductees will be announced in November and the induction ceremony will take place in March next year.
About the Rock and Roll Hall of Fame:
Artists become eligible for the Rock and Roll Hall of fame 25 years after the release of their first recording. The process of nominating five to seven inductees each year is based on the artists' \"influence and significance to the development and perpetuation of rock and roll.\" Ballots are then sent to about 1,000 performers, rock writers and industry executives, and those nominees who receive the highest number and more than 50% of votes are inducted. The Rock and Roll Hall of Fame was founded in 1983, and the first induction ceremony was held in 1986. The Hall and Museum opened its doors in Cleveland, Ohio, in 1995.
For more information try; http://www.rockhall.com/
Johnny Ramone, a founding member and guitarist of the pioneering punk act the Ramones died last week (15th Sept) at the age of 55. He died of prostate cancer.
Born John Cummings in New York on Oct. 8, 1948. He and three other musicians formed the group in 1974, taking the name from an alias Paul McCartney sometimes used in hotels. He is the third of the quartet's original members to have died in the past four years: vocalist Joey Ramone (real name: Jeffrey Hyman) succumbed to lymphatic cancer in 2001, while bassist Dee Dee Ramone (real name: Douglas Colvin) died from a drug overdose in 2002. The fourth original Ramone, drummer Tommy (real name: Thomas Erdelyi), left the band in 1978.
The band's bare-essentials music paved the way for such mega-successful ‘90s groups as Nirvana and Green Day. But the Ramones were never fully understood or embraced until it was too late. None of their songs (including Blitzkrieg Bop, I Wanna Be Sedated, The KKK took my baby away and We want the Airwaves) rocketed into the Top 10, because their music was primitive (four chords, a catchy melody, inane lyrics) and because their look wasn’t exactly camera-friendly (dark mop haircuts, torn jeans and leather jackets), the Ramones barely rose above cult status.
Yet their influence was great enough to land a 2002 induction into the Rock and Roll Hall of Fame. And in theaters now (and coming soon to the UK), is End of the Century: The Ramones Story, a documentary that details the band’s tumultuous history. It’s typical that artists who were underappreciated in their time are re-evaluated and celebrated after death. Now that Johnny’s gone, only one member of the original quartet is still alive: drummer Tommy Ramone.
For more on the band checkout their official website; www.ramones.com
Recommended listening: Ramones Leave Home & Rocket to Russia (both 1977) and Road to Ruin (1978).
Really must check that one out - somehow it slipped by my late 80's guitar hero collecting.
Had a fair bit of that 80's glam metal or guitar hero stuff on vinyl, but have sold it mostly - stuff like Winger, Nightranger, Ratt, Jake E Lee's solo album, the obligatory Vai and Satriani stuff.
OMG I'm getting old!
Joe’s latest albums haven’t really been anything special. In fact, I didn’t take issue with Strange Beautiful Music because I expected him to come back with something that would really blow my mind. Unfortunately, the wait has resulted in a bit of an anticlimax as I am sorry to report that Is There Love In Space? is one of those rare things – a mediocre Joe Satriani album. There are melodies and riffs on this record that could have been on Crystal Planet, and that was like… 6 years ago or something. Employing a seven-string guitar is not particularly innovative and I’m sure that we’ve all come to expect more of Joe. With the exception of the title track and the wonderful flourish of If I Could Fly, the rest of the songs seem, well, a bit lost. It may just be the effects of middle-age and fatherhood taking place, but this reminds me of Bush aping Nirvana riffs, just that Joe apes his own.
Even if he brought out something totally nuts, like he did with Engines of Creation, or he released a record that was a departure from his previous ones, like his self-titled album, at least he would be bringing something new to the table. Something unique, something with a flavour of its own. This record is just lost and I honestly can’t find this album’s identity, not like the avant-garde of Not Of This Earth or the eclecticism of Time Machine. I wish I could come away with a more favourable review, but as it stands, I can’t.
6/10
:::::Track Listings:::::
1. Gnaahh
2. Up in Flames
3. Hands in the Air
4. Lifestyle
5. Is There Love In Space?
6. If I Could Fly
7. The Souls of Distortion
8. Just Look Up
9. I Like the Rain
10. Searching
11. Bamboo
www.satriani.com
I listened to the last half of the Scratch Perverts set and it was amazing. I like the way they've managed to mix the different styles together.
I can't wait for the Kruch and LTJ session on One World. That should be wicked.
This week has been an excellent week for the radio shows esp. for Radio 1. Currently there's a two hour set from the Scratch Perverts on the Essential Mix (Saturday 1am). This is a huge set with over 60 tracks and an eclectic mix of musical tastes. Checkout the tracklisting below.
Sunday saw another immense musical session take place with Gilles Peterson taking the helm at 11pm with special guests Sa-Ra Live In Session. It's another chilled out set with plenty of ambient, hip-hop and world music. Tracklistings below. After Gilles there's the One World mix which has Bent and the UK DMC Crew. This sessions starts off with some shilled out tunes and then moves through to hip-hop and ends with some excellent drum and bass. Look out for next week as it's DJ Krush and LTJ Bukem. 1am - One World. Tracklisting below.
ESSENTIAL MIX
:::::Scratch Perverts:::::
DJ Plus One - 'Booty Cruncher Instrumental' (SPR)
LL Cool J - 'Headsprung' (DefJam)
Dr. Dre - 'Deep Cover' (Interscope)
Jadakiss - 'Kiss Of Death' (Universal)
Lumidee - 'Uh Oh' (Universal)
Dizzie Rascal - 'Fix Up, Look Sharp' (XL)
Marley Marl - 'Marley Marl Scratch' (White)
Nas - 'Thiefs Theme' (Columbia)
Ghostface - 'Rub' (DefJam)
Jay Z - '99 Problems' (Rocafella)
213 - 'Groupie Love' (TVT)
Twista - 'Twista' (White)
Scratch Perverts - 'Time' (SPR)
Foreign Beggars - 'Hold On' (Dented)
DJ Plus One - Turn Around [instrumental] (SPR)
Dynamite MC feat. Plus One - 'Industry Pt. 2' (Strong)
Brandy - 'I Tried' (East West)
Obi Trice - 'The Set Up' (Shady Records)
Lil' Jon - 'Get Low' (TVT)
Busta Rhymes - 'Make It Clap' (J-Records)
Norega - 'Full Mode' (DefJam)
Ja Rule - 'Clap Back' (White)
J-Kwon - 'Tipsy' (50 50 Def)
Lil' Kim - 'The Jump Off' (Atlantic)
Timbaland & Magoo - 'Cop That Sh*t' (Universal)
B5 2000 - 'Unknown' (White)
ET Boogie - 'Unknown' (Sunny View)
Esther Williams - 'Last Night Changed It All' (White)
Beastie Boys - 'Check It Out' (Grand Royal)
Foxy Brown - 'The Letter M' (DefJam)
Unknown - 'I'm A Man' (White)
Method Man - 'Method Man' (Loud)
Unknown - 'Unknown' (White)
Nina Sky - 'Move Your Body' (J-Time)
Shawna - 'Share That Sh*t' (DefJam)
Dead Prez - 'Hell Yeah' (Loud)
Dr. Dre & Ice Cube - 'Natural Born Killaz (Death Row Records)
Bone Crusher - 'Never Scared' (50 50 Def)
Dead Prez - 'Hip Hop' (Loud)
Blak Twang - 'So Rotten' (Bad Magic)
The Lady Of Rage - 'Afro Puff's' (Death Row Records)
The 45 Kings - '900 Number' (Tuff City)
Eric Sermon - 'Feel It' (Universal)
Mobb Deep - 'Got It Twisted' (Jive)
Method Man - 'What's Happening' (DefJam)
Busta Rhymes - 'As I Come Back' (White)
Jay Z - 'P.S.A. [Remix] (Roc-a-Fella)
Scatch Perverts - 'Come Get It' (SPR)
Egyption Lover - 'Dance' (Egyptian Empire)
Jon Spencer Blues Explosion - 'Bell Bottom' (Matador)
Paul Weller - 'Cosmos [Lynch Mob Mix] (Go Discs)
Jay Z - 'Dirt of Your Shoulder' (Roc-a-Fella)
Timbaland - 'They Ain't Ready' (Interscope)
Bubba Sparx - 'Ugly' (Beat Club)
Justin Timberlake - 'Cry Me A River' (Jive)
Nasty Nas - 'Halftime' (Columbia)
GZA - '4th Chamber' (DGC)
Scratch Perverts - 'Come Get It' [Remix] (SPR)
Big L - 'Devil's Son' (Columbia)
Dizzie Rascal - 'Jus A Rascal' (XL)
Diz - 'Purple Pills' (Shady)
Metallica - 'Frantic' (Vertigo)
Skinny Man - 'It's Over' (White)
NERD - 'Rockstar' (Star Trak/Virgin)
Red Hot Chilli Peppers - 'Californication' (Warner)
Ashad & Klashnikoff - 'The Message' (White)
NERD - 'Lapdance' (Virgin)
Freeway - 'What We Do' (Roc-a-Fella)
Clipse - 'Grindin' (Star Trak)
Radiohead - 'National Anthem' (Parlophone)
Squarepusher - 'Go Plastic' (Warp)
Metallica - 'Wherever I May Roam' (Vertigo)
Scratch Perverts - 'Stand By' (SPR)
Kelis - 'Milkshake' [Remix] (Arista)
Kelis - 'Milkshake' (Arista)
Missy Elliot - 'Pass The Dutch' (Warner)
White Stripes - 'Seven Nation Army' (XL)
Chemical Brothers - 'Come With Us' (Virgin)
Blackicious - 'Alphabet Aerobics' (Quannum)
Nirvana - 'Love Buzz' (DGC)
Ret Hot Chilli Peppers - 'Under The Bridge' (Warner)
Ret Hot Chilli Peppers - 'Blood Sugar Sex Magik' (Warner)
LL Cool J - 'It Gets No Rougher' (DefJam)
Prodigy - 'Fire Starter' (XL)
Squarepusher - 'My Red Hot Car' (Warp)
Ian Brown - 'F.E.A.R.' (Polydor)
Origin Unknown - 'Valley Of The Shadows' (RAM)
Bad Company - 'The Nine' (Bad Company)
High Contrast - 'Restoration' (White)
Calibre - 'Drop It Down' (Creative Source)
Zinc - 'Ready Or Not 2003' (White)
Fresh - 'Hooded' (RAM)
Nightbreed - 'Pack Of Wolves' [Remix] (RAM)
Krust - 'Follow The Vision' (Full Cycle)
Adam F & J-Magik - 'Metrosound' (Kaos)
Pendulum - 'Vault' (31 Records)
Fresh - 'Floodlight' (Dogs On Acid)
Andy C - 'Body Rock' (RAM)
Dilinja - 'Crunch' (Valve)
Roni Size - 'Trouble' (Full Cycle)
Pendulum - 'Another Planet' (Kaos)
Unknown - 'You Disgust Me' (Black Widow/Spider)
Ram Trilogy - 'Capture The Flag' (RAM)
Friction - 'Bogey Man' (True Playaz)
Ed Rush & Optical ft. Scratch Perverts - 'Get Ill' (Virus)
Dillinja - 'Twist Em Out' (Renegade Records)
Dillinja - 'Grimey (V Records)
Calibre - 'Mr. Majestic' (Creative Source)
http://www.bbc.co.uk/radio1/dance/essentialmix/tracklistings.shtml?dp_rhn_emix_link1
GILLES PETERSON
:::::Gilles Peterson:::::
Three Years Apart - 'Sunrise Séance' (Heardrums)
Abdullah Ibrahim - 'Did You Hear That Sound' (Toshio Matsuura Rework) (Enja)
Val Watson - 'Pass The Vibe' (Thump)
Zap Mama - 'Sweet Melody' (Luaka Bop)
Wale Oyejide - 'Slow Down' (Fat Beats)
Smoke - 'Everything' (MPS)
George Duke - 'Feel' (Spacek Rework) (MPS)
:::::Sa-Ra Live in Session:::::
Sa-Ra Creative Partners - 'Intro: Mighty Mouse' (Live in Session)
Sa-Ra Creative Partners - 'Spacewades' (Live in Session)
Sa-Ra Creative Partners - 'Rosebuds' (Live in Session)
Sa-Ra Creative Partners - 'Downtown' (Live in Session)
Sa-Ra Creative Partners - 'Fantastic Vampyr' (Live in Session)
Sa-Ra Creative Partners - 'Butterscotch' (Live in Session)
Sa-Ra Creative Partners - 'Hollywood' (Live in Session)
Sa-Ra Creative Partners - 'So Special' (Live in Session)
Sa-Ra Creative Partners - 'Outro We-R-Ra!' (Live in Session)
Sa-Ra Creative Partners - 'Glorious (Instrumental)' (ABB)
Pharoahe Monch - 'Agent Orange' (Rawkus)
Aaron Jerome - 'Man Troubles' (White)
Recloose Feat. Joe Dukie - 'Dust' (White)
Johnnie Taylor - 'What About My Love' (Beverly Glen)
Dena Deadly - 'I Don't Eva Wanna Stop' (White)
Madvillain - 'Accordian (Instrumental)' (Stones Throw)
Worldwide Family: Garth Trinidad (West Coast, USA)
Madvillain - 'Accordian (Instrumental)' (Stones Throw)
Nonameko - 'Mellowtone' (Over Tribe Called Quest) (Loud Minority)
Murs & 9th Wonder - 'Badman' (Def Jux)
GB Feat. Spacek - 'Simply So' (Sa-Ra Remix) (Sound In Color)
Madvillain - 'Eye (Instrumental)' (Stones Throw)
Meshell N'Dgeocello - 'Mumin' (White)
Dwight Trible - 'Ishmael' (Passin' The Vibe)
Gil Scott-Heron - 'Peace Go With You Brother' (Soul Jazz)
http://www.bbc.co.uk/radio1/urban/tracklistings/peterson/20040822.shtml
ONE WORLD
:::::Scratchin' Special & Bent:::::
Bent - The Waters Deep (Ministry Of Sound)
Bent - Comin Back (Ministry Of Sound)
Bent - I Cant Believe Its Over (Ministry Of Sound)
Bent - Sing Me (Ministry Of Sound)
Bent - Now I Must Remember (Ministry Of Sound)
Momma Gravy - Bottle Back (Pork)
The Egg - Wall (Squarepeg)
Ty - Look For Me (Big Dada)
Halftones - That Music (White)
Kelpe - Nat's Twirley Mug (Depth Charge)
Bauri - Hugs (Exceptional)
Butch Cassidy Soundsystem - Brothers & Sisters (Fenetik)
Diplo - Diplonicus (Fenetik)
Krush -Road To Nowhere
Jaakiss - The Champ Is Here (Sony)
Beats International - Dub Be Good To Me (East West)
Adam F - Where's My...(F Cuts)
Missy Elliott - Pass That Dutch(East West)
Justin Timberlake - Rock Your Body (Jive)
Fah - R n B (Breaks R Us)
Frank Sinatra - Nice & Easy (Reprise)
Fauna - You Might See Me (Ejector Seat)
UK Turntablist - Kutter's Choice (White)
Squarepusher - Red Hot Car (Warp)
Scratch Perverts - Beatdown (Ultimate Dilemma)
DJ Infamous - Midget Madness Beats (White)
Yousef Lateef - Blues For The Orient (White)
Nas -Rule (East West)
Ricci Rucker Utility Phongraph Record (White)
Ricci Rucker - Utility Phongraph Record 2 (White)
2 Tall - Rain (White)
Prodgiy - Poison (XL)
Billy Breaks - DJ Craze (White)
Adam F - Unknown (White)
Coldcut - Unknown (White)
Ricci Rucker - Breaks (White)
Wizzard Of Aahs - DJ Relm (White)
Soul Canva - Mike Boogie (White)
Nubreed - Oddworld (Mob)
Roni Size Vs Rodney P - Trouble (Riddim Killa)
Evil 9 - The Power (Marine Parade)
http://www.bbc.co.uk/radio1/urban/tracklistings/one_world/one_world_tracklistings_live.shtml
I've got a copy of this set. If you've got Kazaa or Soulseek you can download it off me. Alternatively, you can e-mail me at pawpaw@europe.com and get a CD copy off me. You'll have to pay the postage cost though.
i badly wanted to tape this but was delayed in getting home in time. i heard most of the show in my car, it was class. does anyone have a copy of it? any help much appreciated.....